Tolkien's writings have spawned many imitators among fantasy authors, including of his medieval settings. The production design of The Lord of the Rings: The Rings of Power has created architectures for places not seen in Jackson's films, such as Númenor and the Elvish realm of Lindon. Scholars have admired his films' effective visual interpretation of Middle-earth settings. Peter Jackson created an extensive set of the Shire with multiple Hobbit-holes, a mill, and a bridge in the New Zealand countryside, used in his films of both The Lord of the Rings and The Hobbit, and elaborate film sets of other places in Middle-earth using bigatures and computer animation. Makers of films set in Middle-earth have developed or modified Tolkien's indications of architecture to convey their views of the various Middle-earth peoples and their cultures. In contrast, the Dark Lord Sauron and the fallen Wizard Saruman's realms are damaged lands around tall dark towers. The King of Rohan's hall, Meduseld, indicates the Rohirrim's affinity with Anglo-Saxon culture, while Gondor's tall and beautiful stone architecture was described by Tolkien as " Byzantine". In his fantasy novel The Lord of the Rings, Lothlórien demonstrates the close integration of the Elves with their natural environment. The Hobbit Bilbo Baggins's cosy home, Bag End, described in his 1937 children's book The Hobbit, establishes the character of Hobbits as averse to travelling outside the Shire. Tolkien uses the architecture in each place, including its interior design, to provide clues to each people's character. Tolkien's fictional world, is as varied as the Hobbit-holes of the Shire, the tree-houses of Lothlórien, the wooden halls of Rohan, and the stone dwellings and fortifications of Minas Tirith, capital of Gondor. The emotional archaic form is an hommage to the natural environment. Planning should be centered around mankind, making the house his 3rd skin in context with nature.Theme of architecture in Tolkien's subcreated world The curvy forms of the earth-houses are an ideal synthesis between form and function. Good working/living environment even in underprivileged locations can be created. “High contamination facilities can be built with earth covered architecture to reduce impact to nature. It’s cooler in sommer and warmer in winter.” Unfortunately, most contemporary buildings are the result of conventional thinking in designs of past days. Architecture should not dictate nature, it should cooperate with it. Sustainable architecture is preferrably integrated into the natural environment and should be in a symbiotic relationship with it. Earth-covered architecture benefits from the natural balance of temperatures. “Personal and social change in our global community requires flexible, multi- functionally adapted solutions of our built environment. While not everyone wants to live in something so exotic-looking it is at least noteworthy that their design philosophy carries all the way from construction methods to the aesthetic appearance of the final product. Moreover, there is an underlying visual theory that informs these shapes as much as these functional requirements – they are intended to mimic the naturally abstract and seemingly random curves of their natural surroundings. This results in reduced material and construction costs as well as additional power savings due to shared party walls.įrom an energy generation standpoint, all of the standard sustainable solutions are also available: geothermal, water, solar and wind. Some of these are built as continuous strip communities, a kind of eco-suburb that looks from a distance like a simple set of rolling hills. The resulting contiguous thermal mass of this all-in-one exterior wall-and-roof system helps to conserve heating and cooling power. Grass-covered walls curve up and continue as green roofs along the tops of each structure. While not every hobbit house-like Erdhaus is actually built under the existing ground on a site, they are all tied to their earthen surroundings by sloping sheaths of greenery.
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